把戏曲拍给今天 | 涛 江 | TEDxWeixiuyuan Road
戏曲电影曾万人空巷,也曾被误解为“落寞”。导演江涛以自己的创作经历出发,从守正到创新,讨论戏曲电影如何在叙事与影像表达上与时俱进,让更多人“共情”而不是“看不懂”。当城市生活越来越快,他也邀请我们在影像里慢下来,重新感受中国古典审美与不急不躁的智慧。
Chinese opera films have a beauty unlike any other—and they can still speak to today’s audiences. In this TEDxWeixiuyuan Road talk, director Jiang Tao explores how tradition and innovation can work together, and why storytelling and emotional connection are the key to bringing opera cinema back into modern life. 金鸡奖最佳戏曲片导演,毕业于西安美术学院影视动画系,获影视艺术研究硕士学位。
江涛导演先后参与多部戏曲电影的制作。2025年,他导演的“中国文联梅花奖剧目电影工程”“八闽戏曲电影工程”重点影片《双蝶扇》获得第38届中国电影金鸡奖最佳戏曲片奖。2012年他担任执行导演的戏曲电影《兰梅记》获第29届中国电影金鸡奖最佳戏曲片奖。他还担任执行导演拍摄了戏曲电影《苏武牧羊》《新大祭桩》等。
同时他在故事片及影视剧领域亦建树颇丰。2016年,他导演的《大烟炮!一千八!》在第40届蒙特利尔国际电影节荣获最佳导演处女作奖。2014年其研究生毕业作品《农历十七》入围第9届中国新人电影节。2009年本科毕业作品《坠子崮》获第4届北京联合高校电影节最佳剧情片奖。
他还先后担任《遵义会议》、《一根木头》、《大三女生》等多部作品的导演或执行导演,涵盖历史、校园等现实主义题材。 This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx
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